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March 19, 2008

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i love the idea of recreating "flower shadows" that linger in one's mind. i think that's what all types of artists do, sometimes obsessively! though i personally consider it a healthy obsession.

lovely to read your work.

I loved the 'flower shadows' bit too..:)

I am really enjoying this!


What a true artist! Yosh looks beautiful inside and out. I can't wait to try the Sweet Suite.

Thanks again for doing this project, Heather.

What an amazing woman! I have to admit that, like Yosh Han, my mind also went straight to the earthy and fungal after reading the poem. In this vein I thought Mandy Aftel was an inspired choice, as her Cepes and Tuberose is so very mushroom-y yet luminous! Perfect for a subterranean encounter!

Yosh Han's creation sounds to be a balanced marriage of the last gasp of winter with the barely-visible traces of spring. Apparitions may even supplant Stargazer as my personal Yosh fav!

Wonderful addition to this brilliant project! I can't wait for the rest of the week...

Is Yosh Han considered a natural perfumer? I have just started my own search into natural perfumery and it has really opened my eyes to read about these creations!

Oh, this sounds heavenly, perfect in fact for today, a typically confused spring day, in terms of weather. The oakmoss, fir, and mushroom with beautiful violet, a favorite note of mine, peaking through. How lovely! Thank you Yosh, and thank you Heather!

Oak moss is one of the perfume notes that sprang to my mind, too, when I first read this poem. All of the notes in Yosh's proposed perfume sound exquisite, like the first sharp bite of Spring. And her description of walking in the woods in southern Holland makes me want to go outside, into my own woods.

Thank you, Yosh and Heather. What a perfect way to start off the first day of Spring!

well, very nice, but where is Pound's sentence ? It seems that we are "hors sujet".

I will express my gratitude to Mandy Aftel to open the way to a revival of natural perfumery and share her experience with all of us with her wonderful "Essence and Alchemy", mon livre de chevet !
Now Perfumery will never be "the lost paradise of the perfumes of the past and of the spirit".

I see Pound's sentence in the structure of Yosh's narrative -- the subway station, the voices, then the flowers. It's an interesting take on interpretation -- a riff rather than a straightforward analysis--that I enjoy and that seem particularly appropriate as an act of translation from one place to another, and from one medium to another.

I hope Yosh will come chime in on this discussion!

I agree with the poem image structure being seemingly incorporated into the fragrance structure. While I think, in terms of scent, Mandy's description is still probably closest in description to what I'd imagined myself, this is a close second. I love the unfurling dedication to what the physical experience of the poem seems to describe. I this project continues to be so creatively inspiring!

Frankly , i think that though she does seem to be making an effort to be creative i find Yosh's work really very far from what Ezra wanted or even remotly related to what he said!
I am deceived.It is a failed concept, no disrespect implied, but fame as a natural perfumer should not prevent us from criticizing.
I think Miss Han was off target.sincerely

aboulkhell: As the coordinator of this project, I welcome your thoughts on the posts and on the poem, but I believe you have misinterpreted the project as a whole. The perfumers were encouraged to take the project in any direction their imagination would go: there is no "correct" interpretation neither is there the possibility of failure. Indeed, these perfumers contributed not in a spirit of competition for the "right answer" but in order to show us the breadth and depth of spirit which can lead one to create infinitely varied forms of art inspired by one infinite moment contained in one tiny and ambiguous poem.

Further, one artist's interpretation of another artist's poem has absolutely nothing to do with the intentions of the poet. The poet is irrelevant; the poem lives on its own.

Please remember to remain respectful and to view these posts in the generous, open spirit with which they were given to us.

What I enjoy most,is how intimate and unique each person's vision and impressions are.

This aspect, in and of itself, is a window into the inner life of the artists, a very private privilege.

Ms. Han alludes to experiences which I share [further fuel for my insistence on the lack of coincidence in my life], which intrigues me...

I appreciate the efforts that go into this project.

you will love meeting Ms Han - she is as kind and interesting as she seems. i will enjoy talking to her about this project, as she always has gorgeous ideas. :)

I loved all of the unique interpretations so far and it is wide open for that! If I were to interpret I feel Pound had to pull from within the image that had so profoundly touched him because these faces are now just an apparition.
The petals being an innocent beauty in the faces he saw in the crowd.
Wet could be a youthful dew and black bough seems to be shadowy and mysterious like an old soul lying quiet and dormant. Did this image at that moment in time touch him to the core! Suddenly awakening the young man of his youth?
It is interesting to think that a perfume could be in a poem, I couldn't tell you what would go into my perfume? that can only come from experience... the experience these chosen beautiful perfumers have! I think they would know what was shadowy? mysterious? but I guess that can also be up for so many different interpretations just as a Perfume inside a Poem!

Even the creative process sounds like poetry on this one! I've been unsuccessful thus far finding one of her scents that worked on my skin but the idea of this sounds wonderful. Oakmoss, fir and mushrooms? Love it!

This sounds perfect to me! Thank you Yosh--and Heather for doing this!

What a wonderful project this is! While I know and admire the work of some of the participants (Andy Tauer, for example), others are just names I've heard. Your introductions (I suppose they are really afterwords) add so much to these posts. As interesting as Yosh's Pound fragrance sounds, what really intrigues me is her collaboration with Vollman, about which I was entirely unaware. Thanks, again for a wonderful series!

Such a beautiful story, I can almost imagine it happening as Yosh describes it. And love the way she reasons about every note - a certain logiс to a perfume always makes it more meaningful. Thank you for the inspiration:)

Just a note for the record: Yosh is not a natural perfumer. A natural perfumer does not use synthetic perfume oils, as she does. That aside, her contribution to this series is very thoughtful and dynamic an gives insight into her creative process.

Yosh, what a beautiful experience and memory to pull from. Your description of the forest in southern Holland, the chill in the air! transported me and even though I have never been to Holland,for a moment I felt Like I was there! Thank you Yosh.I just wanted to add that all artists with a true love for their Art should always be respected.

Now this one has got me thinking. There is no complete perfume blend mentioned, yet perfume exhales from every word. I find myself immersed in this one.

This blend sounds lovely. I really like the addition of mushroom; it brings up the image of the underground space of the Metro.

Yosh is a very creative perfumer. She seems to be a very nice and simple person. Loved her poem, the way she described with so much art!

Angi

Apparition sounds lovely. How Ms. Han uses that portrait of deja vu to continue the dark/light theme makes me FEEL as though I am invited along for this walk. Her words at the end "tornado of commuters" and the need for 'Apparition' ~playing with her bottle~caught me off guard. I thought I was the only one that did this, :)

This one really captivated me. It was as if the perfumer began to elaborate on the poem like a seamstress adding a beautiful train to a simple wedding dress. Then she striped it right back at the end to the bare flesh. I enjoyed reading this. The perfume sounds alive in the past, present and future.

This sounds beautiful! I love the imagery of winter and new beginnings, the pause with the smell of earth and flowers. Then back to the routine of life. This sounds much like the pause that the poem speaks of, a moment out of time.

What lovely smells!

Honey and mushroom? Heaven! I want to smell this!

I've been kidnapped by Omniscient, too.

Don't know if I like the "apparition" to be the tall man intruding on Yosh's reverie. It's interesting, anyway.

I didn't read these in order of appearance, and again I'm struck by the fascinating differences each person brought to their creation. I'm not sure I followed all Yosh Han's intuitive thoughts, but the notes of the resulting fragrance are brilliant -- something about mushroom seems like a perfect additional note.

I really enjoyed Yosh's contribution to this project. Her words pulled me into her very physical, 5 senses interpretation of the written poem. I would be excited to semll this scent; the cold, the earth, the coming of spring. I adore Yosh's Stargazer 7.71 in its minimalist bottle and I have a small sample of LaContessa that I wear when I want to be skin close sexy.

I love this interpretation, the apparitions by fragranced by re-creating "the flower shadows". The mushroom adds an unexpected note that encompasses the shadowy feel. It sounds lovely.

I am especially drawn to the way Yosh conveys her perfume concept through story telling. There is an element here of magical realism which I find quite engaging. The journey aspect is really appropriate to how our mind wonders when we experience scent. As well as how we use fragrance to take us back to a stored memory.

i admire yosh's creations and i want this perfume! it seems so much more ethereal and still organic than others that focus on a more metropolitan aspect of the poem.

A TasteTV video of perfumer Yosh Han can be seen here:
Yosh Han

Enjoy, it's about chocolate perfume.

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